

The two battle hunger, cold, uncooperative fish and their own illness. Their only connection to the outside world comes from a ship named Hope that appears on the horizon twice a year to sell supplies and sink the siblings deeper and deeper into debt.

But it stayed with me for a long, long time.”Īt the beginning of The Innocents, Evered and his sister Ada are 11 and nine respectively and left alone after their parents and baby sister quickly succumb to disease. It felt like it was too complicated and the opportunities to screw it up were too myriad. I didn’t want to write this book, I really didn’t. And the thought of these two children left alone, having to figure this out without any resources whatsoever, without any assistance and probably not even being able to talk to each other about it, the thought of that was just so compelling and awful. There were things you could try and puzzle through it with. I had supportive parents and a lot of friends and we had a sex-education class in school and skin magazines. “It was almost like being taken over by another being in some ways, or sharing yourself with another being that you didn’t really understand the motivations of and had to negotiate some way of living with,” he says. It was a period that was often “gobsmackingly, appallingly awful,” he says. He began to think of his own upbringing in Buchans, a small mining town in the interior of Newfoundland, and the lonely, confusing journey from childhood to adolescence. But he was both fascinated and a little terrified at the prospect of shaping it into a novel. It was the only information Crummey could find about them.

He decided to confront and harangue the two about their inappropriate relationship and was driven away by the rifle-wielding brother. The sister was pregnant and the priest figured there was only one way that could have happened in this remote area. Crummey found a paragraph from a clergyman who had happened upon orphans living on their own in a rugged area of 18th-century Newfoundland. It was an accidental discovery in the Newfoundland archives that set the tale into motion. It’s a very different experience than anything I’ve had before.” I kept having to remind myself what was in the book and what order it was in because I had forgotten a lot of it. Then, it was very strange it was almost like I hadn’t written a book and in some ways I forgot it. “It felt like it was all there and I wanted to get it out of me as quickly as I could. “Once I made up my mind to try and write it, I worked every day for three-and-a-half months,” Crummey says. Unlike Galore, the world of The Innocents became one Crummey wanted to exorcise, not dwell in. This advertisement has not loaded yet, but your article continues below.
